Stems — Ainslie Henderson, 2016
The process of puppet making is narrated and is likened to making music. The puppet maker collects random objects and lays them out before starting to assemble his puppets. He then sets his tableau to music. The puppeteer’s work is very “tripped back. The music and the musician chosen to be the soundtrack are also very stripped back.
A poetic glimpse into the world of puppet-making as we witness the birth of a puppet as it transforms from a collection of bits and pieces into a character with its own personality.
Classroom ActivitiesPrint All
- Clip Details
- What similarities are there between the process of making puppets and the process of writing music?
- The narrator describes the puppets as having “an inherent sadness” – what does he mean by this? Do you agree?
- The narrator says that the puppets act out their own “swansong” – what does this mean? Do you agree?
- What comes first – the idea for the puppet or the elements which go to make it?
- What comes first – the tune or melody or its constituent notes?
- Does Britain have a strong history of puppet making?
- Which countries have traditions of puppet making?
- What other films does ‘Stems’ remind you of? In what ways?
- Make your own stop-motion film about inanimate objects that come to life.
- Collect some random objects and make / design a puppet or figure.
- The music to accompany this short is by Poppy Ackroyd – what kind of music does she write / play? Do you like it? Would you listen to more of her music?
|Year of Production||2016|
|Curriculum Areas||Expressive Arts, Literacy and English, Technologies|
|Country of Origin||UK|
|Medium / Content||Mixed Media, Colour, Sound|
|Themes||Work / Ambition, Communication, Creative Expression|
|Age Group||P1-P4, P5-P7, S1-S3, S4-S6|