Acknowledgements
The following are acknowledged for their valuable contributions.
Project Manager
Gail Robertson, Screen Education Officer for Screen Scotland (Douglas Dougan of Fluid Eye Productions Ltd until 2020)
Project Partners
Fi Milligan-Rennie, Head of Education - Screen for Screen Scotland (Scott Donaldson until 2022)
Gerry Queen, lead representative for Education Scotland
Alan Armstrong, Director of Curriculum and Assessment for Education Scotland
Maureen Finn, Development Officer in Expressive Arts for Education Scotland
Yvonne Gerrard, Team Leader in Literacy for Education Scotland
Hilary Bombart, Development Officer in Literacy for Education Scotland
Andrew Brown, Head of Glow for Education Scotland
Pre-Project Educational Research & Development
Philip Donnelly
Digitisation of films
Words and Actions
Charmaine Gilbert
Editorial Support
Faith McDonald, Faithful Publishing Services
Administration support
Helen Bywater
Film Acquisition
Kyrie MacTavish
Caren Willig, Reframing Languages Research Officer for British Film Institute (BFI)
Mark Reid, Head of Education for British Film Institute (BFI)
Design
Ben Seven and Dan Plunkett at Kin
Web Development and Management
Paolo Ciarrocca and Ben Seven at Kin (Graham Turnbull, Richard Clegg and Sven Edge until 2015)
Educational content
Several teachers and education practitioners greatly helped us with the development of educational content on the website. They are:
- Bill Boyd
- Jonathan Charles
- David Griffith
- Athole McLauchlan
- Juliet Rees
- Gail Robertson
- Kerry Abercrombie
- Kerry Brown
- Ian Cameron
- Tina Dingwall
- Kimberley Draffen
- Claire Gilligan
- Fraser Johnston
- Lynda Kazimoglu
- Melanie Keles
- Lorna McMillan
- Julie Ormiston
- Suzanne Ritchie
- Louise Sedgewick
Certain educational content has been repurposed from the now archived Languages on Screen website, so thanks to the following contributors: David Griffith, Mairi Clement, Rachel Docherty, Anke Hilt, Lynne Horn, Lynne Jones, Louise Lang, Jackie Mackenzie, Liam McGeady, William McNulty, Ann McVey and Jerry Simcock.
Thanks to British Film Institute (and its authors) for permission to use resources from Screening Shorts, Starting Stories 1, Starting Stories 2, Story Shorts 1, Story Shorts 2, Moving Shorts and Real Shorts collections.
Special thanks to these organisations:
