Flatlife

• Using freeze frame, pause the film at the point when the bird is flying towards the tower window. Predict what will happen next.
• Using freeze frame, pause the film at the point when the yellow-room man’s TV is on fire. Ask pupils why his TV is on fire and predict how he will solve the problem.
• Cover the screen and play the soundtrack only. Ask pupils to describe what they think is happening under the headings of: places; people; time; story. Watch the film and compare it with your initial predictions.
• Focus on the camera shots used in the film: ask pupils to define/classify the two main types of shot used. Look for examples of: interior shots; exterior shots; medium shots; close-ups.
• Listen to the music of the film. What does the beat and musical instrument used in the opening sequence remind you of? When is this rhythm repeated?
• Screen the film and ask pupils to concentrate on the soundtrack. List all the diegetic sounds they can pick up (sounds that are produced by events and action in the story).
• Create a timeline for the film, focusing on ‘cause and effect’. Present it in written form, either with linking lines and arrows, or with statements such as “because X does this … this happens”.
• Discuss the structure of the story: what happens at the beginning of the story; and at the end of the story. What are the most important events, things that happen in the story? What do you think happens after the end of the story?

• Which flat was your eye drawn to most and why?
• Which room would you prefer to live in and why?
• Are there any repetitive symbols, images or motifs?
• Discuss a variety of feelings suggested by the film: being angry, frustrated, etc. Discuss how you show or tell others how you feel. Talk about tolerance and consideration for others, and respecting differences.
• Discuss the different ways the people in the flats could have chosen to live as neighbours.
• Screen this film alongside 'Nightshift' and discuss similar themes, differences, etc.

WRITE

• Describe a typical day or diary entry for one of the characters.
• Try writing a story from four different points of view.
• Try to re-tell the story as a traditional linear narrative.

FILMMAKING

• Create a simple storyboard, retelling the story, with captions.

DRAW

• Create a comic strip version of the film using drawings or still images plus speech and thought bubbles for each of the characters.

DRAMA

• Role-play a ‘noisy neighbour’ situation in real life. Consider alternative courses of action and dialogue that might keep the peace or solve the problem.
• Role-play different ways of being neighbourly and helpful.
• Learn about question beginnings (who, what, when, why, where, how). Create a range of questions to ask a partner who is ‘hot-seated’ as one of the flat owners. Create a simple questionnaire to be completed by the partner.